Bottle For A Headstone
|Original Broadcast Date|
|December 6, 2004|
I stand before you an innocent man.
- Joe in the courtroom defending himself against her accusations, but he knows absurdly too much about her home and lifestyle. His alibi: treating young children with horrific diseases, but his witness cannot appear because of a restraining order. Flirting with a juror. I object!
- Later, defending himself against his incensed girlfriend: seducing his lovely female listeners, a tearful, intimate goodbye with his therapist...in a manly way.
- Dreaming he's a diplomat at a reception. Smelling horrible, covered in urine and feces.
- Intellectual conversations with a porn star.
- His pychotherapist recommends necrophelia.
- "Joe Frank is a character." A paradoxical loop: this is not my voice, I am only a mouthpiece for Joe Frank.
- Father Malcom seduces Bertram, who has a revelation, then becomes mute and joins a motorcycle gang.
- "You can best follow the instruction book on virtuoso piano playing by simply depressing the keys in the correct order."
- Then Bertram becomes a mime and plays at Carnegie Hall. He's visited in the hotel by Veronica, who tells him of a scheme to manufacture artificial time. Then Bertram makes up excuses to try to end the encounter. Then: a knock at the door and it's her client--she's a hooker.
- The nature of time. "Life is simply the punchline of a joke told backwards."
- Then they killed Father Malcolm? (I lost track here, 40 to 50 minutes)
- Ends with a rendition of 'Pull My Daisy', a poem written by Alan Ginsberg, Jack Kerouac, and Neal Casady, music by David Amram, for a short film of the same name made in 1959.RandomTroll 16:02, 14 Nov 2010 (PST) This rendition comes from Amram's 'No More Walls' album; the singer is Lynn Sheffield.RandomTroll 14:40, 21 Nov 2010 (PST)
Please see guidelines on commentary and share your personal thoughts in this section.
Killer loop at the beginning, hilarious opening sequence. Some great quotes in this one. Occasionally he lisps conspicuously. Why?